2020“异域·同天” 中日韩高校摄影邀请展-韩国高校

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济南国际摄影双年展--邀请展

“异域·同天”中日韩高校摄影邀请展-韩国高校

艺术总监:曾毅 总策展:张辉、吉川直哉(日本)、柳银珪(韩国)

学术主持:姚璐

中央大学

中央大学的摄影专业成立于1964年,是韩国最好的摄影教育机构之一,有55年的历史。该专业的校友占韩国摄影相关教师的50%以上,基于此,中央大学摄影专业处于韩国摄影教育的前沿。此外,还为包括韩国主要广播公司和报纸在内的各种媒体培养了数量最多的工作人员。在IT领域,摄影校友创立了各种媒体,如Daum Communication。这个专业的力量并没有就此止步,但它也产生了许多优秀的电影导演,影响了韩国电影产业的发展。

在美丽自然的安松校区,摄影系有600个平阳的实用空间。学校实施各种福利政策,为学生提供良好的生活环境,而学校附近的校园村则通过提供各种文化和大学生活来引领学生文化。

Chung-Ang University

Chung-Ang UniversityFounded in 1964, photography major is the best photography education institution in Korea with 55 years of history. The alumni of this major fill more than 50 percent of Korean photography-related teachers, and based on this, Chung-Ang University's photography major is at the forefront of Korean photography education. In addition, we are producing the most number of working-level staff inmajor to various media including Korea's leading broadcasters and newspapers. In the IT field, various media such as DaumCommunication were founded by our photography alumni. The power of this major has not stopped here, but it has also influenced the development of the Korean film industry by producing many excellent film directors.

In Anseong Campus with beautiful nature, our photography department has 600 pyeong of practical space. Various welfare policies are being implemented to ensure a smooth environment for students, while the campus villagenear the school leads the student culture by providing various cultural and university life.

Lee hoyoung 李浩扬《在法规和非法规之间II》李浩扬创作一个角色,然后将这个角色挪到图片上。尽管最终输出方式是数码打印,但除此之外整个创作过程都与数码无关。他们接受科学进步的现实,但他们保留了传统摄影方式的优点,即确保按照事物的真实原样拍摄,虽然某种层面来说,人们认定的真实并非真实。

通过创造和产生一个图像的过程,我们拍摄照片,探索自身看不见和不可侵犯的领域,挖掘和发现潜在的现实,从而扩大最终更多的现实和放大的感知现实。那个李浩扬提出的意象乍一看就像一幅抽象画。就像一幅无题材的画和一幅非代表性的画。但事实证明这是一张照片。

那么当然,会有一个主题,此时的主题是什么?作者创作和指导主题,并通过碰撞颜料来实现。用油漆填充bart,并用注射器注入,注射器的颜色与bart下方bart中的油漆颜色不同。bart中的油漆和注射器注入的油漆相互混合、推挤或碰撞,产生意想不到的各种面部表情和图案。

当一种颜色覆盖在整个颜色上,形成一层柔软的薄膜时,一种颜色推出另一种颜色来突出自己的存在,一种颜色漏斗与另一种颜色混合形成混色区域,或模糊到图案边缘,就好像借助墨水的自然扩散效果,形成大小不一的不规则气泡,如此强烈的流动。

最后,作者的作品似乎是针对事物现象以及事物本身量身创作的。或者我想我们已经到了。求同也是求异,求异亦是求真。任何形式上的相似性,一次与意外形状本身的透明面对面相遇,在这个意外的造型中,绘画是在没有任何预设的情况下完成的,不假思索地与形状本身的面对面接触,这种偶遇也许也适用于作者的其他作品。

《Between Regulation and Non-Regulation II》

Lee Ho-young creates and directs an image. Then, they make it and move it to the picture. Despite the digital print, there is no basic digital manipulation involved. They take it as it is, but they retain the virtue of traditional analog photography in that they testify and take it as it is, but on the one hand, the reality is not as it is. Through the process of creating and producing an image, we take pictures that explore the unseen and inviolable areas in itself, and that digs out and discovers potential reality, thereby expanding the ultimate more reality and amplifying the perception of reality.The image proposed by Lee Ho-young is like an abstract painting at first glance. It's like a non-subject painting and a non-representative painting. But it turns out it's a picture. Then, of course, there will be a subject, and what is the subject at thistime? The author creates and directs subjects, and does so by colliding the paint. Fill the bart with paint, and inject it with a syringe filled with a different color than the paint in the bart under the bart. The paint in the bart and the paint injected with the syringe mix, push, or collide with each other, creating an unexpected variety of facial expressions and patterns.

When one color is covered over the whole color and forms a soft, thin film, one color pushes out another color to highlight one's own existence, and one color funnel mixes with another to create an epileptic area, or blurry to the edges of the pattern, as if with the natural spreading effect of ink, forming a large and small, non-formal bubbles, and so intensely flowing, and so on.

Finally, the author's work seems to have been tailored to the phenomenon of things, the object of things itself. Or I think we've reached it. To ask between is to ask the difference, to derive the difference and to ask the original. Any form similarity, a transparent face-to-face encounter with the accidental shape itself in which the paint appears to be made without thinking of or leaning on it, a face-to-face encounter with the shape itself without any concept, and perhaps even that face-to-face encounter will open up the author's other work.

Daewon Shim大雨希《2020年夏季景观》这项工作是关于试图捕捉2020年夏天在韩国的日常生活面貌,因新型冠状病毒大流行而引起著名的海因德海滩关闭。

《Landscapes of Summer 2020》

This work is about trying to capture the look of daily life of summer 2020 in Korea through early closed famous Haeundae beach cause the Corona virus pandemic.

Ye eun Lee 李叶恩《感动的东西》肮脏的建筑垃圾一直是我的重要目标。一张和家人在一起的火车票,一个在海上捡到的贝壳,还有河边捡到的一块圆鹅卵石。有时候看起来很正常的事情在它们正常的时候被认为是重要和特殊的有意义。有些时候,被认可的艺术品对我来说并不比我和我最喜欢的人一起看到的电影票更特别。我认为这个发现艺术价值的过程在观众中完成了。有鉴于此,我拍下了9件工人用过又扔掉的东西。以彩色抽象形式表达的他们被要求在许多照片中选出自己最喜欢的。他们写下了当他们看到时脑海中浮现的感觉或令人感动的物品。在参与过程赋予了浪费一个特殊的意义。在他们的参与下,我的照片完成了。

《Things that touched》

Dirty construction waste has been an important object for me.

A train ticket with the family, a shell of shells picked up by the sea,

and a round pebble picked up by

the river.

Sometimes things that look normal are considered important and special when they are.

Meaningful. There are times when recognized artworks come to me no more special than themovie ticketsI saw with my favorite people. I think this process of discovering artistic value iscompleted in the audience.

With that in mind, I filmed nine things that the workers used and threw away

Expressed in a coloured abstract form.

They were askedto choose their favorite among the many pictures.

And they wrote down the feelings or circumstances that came to mind when they saw it.The process of their participation has given waste a special meaning.

With their participation, my picture was completed.

Yedam Koo 叶丹古《血肉之躯》

《血肉之躯》系列讲述的是生命和隐藏的价值。透过镜头,那些切好的肉块看起来就像宁静的大自然。我想捕捉它的美丽。拍摄黑白照片对我来说是非常特别的经历,因为没有颜色,我可以看到真实的形状。我想在他们身上捕捉到美好生活的概念。

《Flesh And Bone》

I am not able to wash my hands diligently. I have a rough personality that doesn't care about the details. However, it became a world where it was not allowed. I myself have changed completely. We have to be sterilized outside, further sterilization when go back to home. Even if I take care, my heart is not calm. How long should we endure the stress of anxiety and anger? There is no prospect yet, and such everyday continues.

大邱艺术大学

抓住摄影和图像设计各个领域的成功机会。本系通过摄影的基本理论和实践奠定基础,然后教授艺术摄影、商业摄影、新闻摄影、人物摄影、高科技数码摄影等高级课程,本系毕业生可成为报纸、广播、出版、杂志等各种媒体行业的专家,也可在研究生院从事摄影和图像设计的学术研究和教育。此外,还有许多很有前途的领域,如制作、电影图书馆和最近流行的制片厂业务。

Daegu-ArtUniversity

Capture

opportunities for success in various areas of photography and image design.This department lays the base through basic theories and practices on photography, and then teaches advanced courses such as artistic photography, commercial photography, news photography, figure photography, high-tech digital photography, and image design.Graduates from this department can be a specialist in various media including newspaper, broadcasting, publishing and magazine, or research and educate photography and image design academically in graduate school. Furthermore, there are many promising fields like production, film library and recently popular studio business.

KimDaeWook 金大佑

《想当艺人》

这次展览的主角是“想成为名人”,在韩国有很多名人的追求者。歌手、演员、喜剧演员、MCs、BJ、模特、著名运动员,他们都拥有自己宝贵的梦想。一般说来,很多名人都把自己藏在摄像机前,对着照片采取行动,我试图接近正义的、隐藏的或未公开的形象。站在镜头前是演戏。我想看看在镜头后面他们的烟。具有讽刺意味的是,这是一个非戏剧性表演的开始。这造成了行动和不行动之间的模糊界限。那些习惯戏剧表演的人会在镜头前担心他们真实的自己。它的目的是捕捉这样一个惊人的点与相机之间的边界、自然的外观,而不是戏剧性的和摄影,不可避免地成为戏剧性的在镜头前。

《Wanna be entertainer》

The main character of this exhibition is "want to be a celebrity". There are many pursuers of celebrities in South Korea. Singers, actors, comedians, MCS, BJ, models and famous athletes all have their own precious dreams. In general, many celebrities hide themselves in front of cameras and act on photos, and I try to get close to just, hidden or undisclosed images. Standing in front of the camera is a bit of acting. I'm looking at their smoke behind the camera. I want to see them. Ironically, this is the beginning of a non dramatic performance. This creates a blurry line between action and inaction. Those who are used to drama will worry about their real selves in front of the camera. It aims to capture such an amazing point with the camera, the boundary between the natural appearance, rather than the dramatic and photographic, which inevitably becomes dramatic in front of the lens.

BAEK SEOKHYUN 白锡贤

《颜色表示法》

试图用颜色来展示自己,颜色各有其意义。拍摄前询问了模特们表现自己的颜色是什么。我试图通过颜色来向模特们表达自己的表现,在拍摄前告知拍摄者各种不同颜色的不同含义。因此,模特们可以选择自己的颜色来表达自己。

《Color Representation》

Try to show your performance with colors. Colors have their own meanings. Before shooting, the models were asked what their colors were. I try to express my performance to the models through colors, and tell and shoot the different meanings of different colors before shooting. Therefore, models can choose their own colors to express themselves.

Hyegang Ma 马慧强《线路更新》用风景照片表现自然与善良的和谐、用光线来表达、用点和线来指向照片。

《Line up》

To show harmony between nature and goodness.

After taking a picture of the landscape, use light rays toexpress it with impact Use points and lines to pointto photos.

Jae Young Kim金在英

《内部颜色》我的作品主题是“用颜色表达我生活中感受到的情感”,想到平时对感情麻木不仁的我,想着哪怕只是一点点的感情,想要用颜色表达出来,所以开始了内部颜色的工作。

《Internal color》

The theme of my work is "to express the feelings I feel in my life with colors". When I think of my insensitive feelings, I want to express them with colors, so I started to work on internal colors.

JungHoon KIM 金正勋

《电阻》

我出生在大邱。我从小就对摄影很感兴趣,喜欢摄影。现在在大邱艺术大学学习摄影和影像。人类可以做的事情之一,不管是在世界上做的也好,无论什么地方,作家笔记发生的抵抗这个词时都是这样想的。

《Resistance》

I was born in Daegu. I've been interested in photography since I was a child. I like photography. Now I am studying photography and photography at Daegu University of art. Think of one of the things that humans can do, whether it's done in the world or anywhere, the word resistance in the writer's notes is like this.

YE JI KIM金艺智

《花》

出生于韩国庆州,从高中开始就培养了摄影的梦想,进入大邱艺术大学学习,这项工作的意义在于,即使人类死亡后受到的无数爱徒之花,也会像他们的人生一样。会度过美好的时光,但总有一天会凋零的。

《Flower》

Born in Gyeongju, South Korea, I have cultivated my dream of photography since high school. I entered Daegu University of art and studied... The significance of this work is that even if the countless flowers of love and apprenticeship received by human beings after death, they will have a good time just like their life, but they will wither one day.

Yoon Seong Kim 尹成金

《其他视线》

我想把平常人们生活的地方(如公寓、道路、公园等)变成红外照片,展现给世界。原因就是在人们的日常生活中像时钟齿轮一样忙碌,通过了解自然的美丽,将超越日常生活的东西展现在红外照片上,让他们意识到自然的美丽。

《Different Sight》

I want to turn ordinary people's living places (such as apartments, roads, parks, etc.) into infrared photos and show them to the rest of the world... The reason is that in the daily life of people who are as busy as the clock gear, they want to show the transcendent things in infrared photos by understanding the beautiful interests of nature, so that they can realize the beauty of nature...

韩国广播艺术学校

学生们将用各自的智慧和情感创造一个新的未来。学院包括5个系(美术与媒体科学系,摄影与影像艺术系,视觉设计系,居住环境设计系,社会设计系)下属12个专业。九州产业大学美术研究生院坚持挑战性的艺术表达方式,为传统的、本土的艺术和文化做出贡献。硕士课程包括3个领域,艺术、设计和摄影。每门课程都能提高学生进行学术研究的能力,培养研究者和跨区域人才。博士课程在研究硕士课程的基础上设置每个研究课题,培养能够在现代艺术和文化中发挥重要作用的研究者和艺术家。

korea broadcasting Art School

Students will create a new future with each one's intelligence and emotion.In this faculty, we will keep challenging in the field of our 5 departments“Department of Fine Arts and Media Science”,“Department of Photography and Imaging Arts”,“Department of Visual Design”,“Department of Living Environment Design”,“Department of Social Design”and 12 majors.Kyushu Sangyo UniversityGraduate School ofFine Arts

Keep challenging expressions of art, and contribute to traditional, local arts and culture.

The master's course consists of 3 fields, art, design, and photography. Each course enhances student's ability to conduct academic research, and cultivates researchers and generalists. The Doctoral course set up each research issue based on research of the master's course, and trains resarchers and artists who can play important roles in modern art and culture.

JangSoYoung张索永

《线条美学》

韩服是韩国传统服装,在其5000年的历史中,你可以看到当时的文化、时代和美学。韩服是以扁平的形式制作的,但当你穿上韩服时,它会根据人的体型和穿衣风格而变化,同样的韩服也会根据人的体型和穿衣风格展现出各种魅力。这项工作是在一个德国汉堡进行的,它的主人是模特杰尼·罗。在这幅作品中,你可以看到她的美丽,看起来简单而优雅。

《The aesthetics of line, Hanbok》

Hanbok is a traditional Korean costume, and you can see the culture, times, and aesthetics of the time in its 5,000-year history. Hanbok is made in a flat form, but when you wear hanbok, it changes to suit the person's body shape, and the same Hanbok also shows off various charms depending on the person's body shape and style of dressing. This work was carried out in a hanbok owned bymodel JaennyRho. In this work, you can see her beauty, which seems simple and elegant.

ChoHyeYeon 崇海英

《我们是爱人》

随着时代的发展,人们希望生活更自由地表达自己,拥有坚定的个性。这是因为表达文化始于与那些在他们的关系中作为对话和行动而存在的人的交流,发展了互联网和无线电波,并且已经成为一个人们可以在无线电波之外交流和分享表达的世界,不仅仅是和周围的人在一起。这种发展扩大了人们寻找共同点和形成一个团体的范围和规模。

当代人用它来扩展他们的领地,找到彼此的共同点,并进行交流,创造出他们自己的地方和空间。不管时间、地点、年龄或性别,这种交友的方式在完全基于匿名的传播条件中具有奇怪的吸引力。言论自由发生在人的内心深处。这不仅仅是关于服装、色调和行为,还与自我和性别认同有关。该项目展示了最常见的同性恋女性形象,她们在歧视和厌恶中以复古的情绪方式被压抑着生存和表达的自由。

《We'reLover》

As times develop, people want to live more freely expressing themselves and having a firm personality. This is because the culture of expression, which began with communication with the people who actually exist as conversations and actions in their relationships, has developed the Internet and radio waves, and has become a world where people can communicate and share expressions beyond the radio waves that can be met with anonymity, not simply with thepeople around them. Such developments have increased the scope and scale of people finding common ground and forming a group with each other.

The present generation used it to expand their territory, find common parts of each other, and communicate, creating their own places and spaces. Regardless of the time, place, age group, or gender, the way one makes friends under one condition is strangely attractive in a propagation based solely on anonymity.

Freedom of expression occurs in the innermost place of a person. It's not just about costume, tone, and behavior, but also about self and gender identity. The project presented the most common images of homosexual women who were suppressed with freedom of existence and expression in a retro-mood manner amid discrimination and disgust.

顺天大学

顺天大学是韩国的一所公立综合大学,在1935年建立,校名为顺天公立农业学校,1951年更名为顺天农林高等学校,1979年更名为顺天农林专门大学,1982年更名为顺天大学。其后本大学飞速发展,到如今成长为代表全南的国立大学,成为光州、全南、济州圈域中唯一地被选定的企校合作中心大学,以环境亲和型、机械宇宙航空教育、培养专门业务人才等各种国策事业而被选定为中心大学,使广大学生受益。在光州及全南地区的几所重点大学中以就业率最高,新生注册率高而名列前茅。

Sunchon National University

Suncheon University is a public comprehensive university in South Korea. It was established in 1935. Its name was Suncheon Public Agricultural School. In 1951, it was renamed Suncheon Agriculture and Forestry High School. In 1979, it was renamed Suncheon Agriculture and Forestry University. Suncheon University. Since then, the university has developed rapidly, and now it has grown into a national university that represents Chonnam, and has become the only selected enterprise-school cooperation center university in the Gwangju, Jeju, and Jeju regions. It is environmentally friendly, mechanical, aerospace and education. It was selected as the central university for various national policy undertakings such as cultivating specialized professional talents to benefit the majority of students. Among several key universities in Gwangju and Jeonnam, the employment rate is the highest, and the registration rate of new students is high.

KIM DAHEE金大熙

《汉布克之美》

我想展示我们的传统服饰汉布克的美丽、柔情和力量,并在图片中表达汉博金的各种颜色。

《the beauty of Hanbok》

I want to show the beauty, tenderness and power of our traditional dress, and express the colors of Humboldt in the pictures.

KIM MINJOO金敏钟

《上学日》

我记录了很长时间我上学的日子,在同一所学校的围栏下,最纯洁的心和脸的方式,以及与离开的朋友的关系,仍然是最舒适和愉快的记忆。

《School days》

The days I've kept for a long time are my school days. Under thefence of the same school, the purest heart and face approach andthe relationship with friends who were away remains the mostcomfortable and enjoyable memory.

PARK SEOHAE朴熙金

《亲爱的我》

从一开始就没什么特别的,但平凡的事物聚集在一起,创造出一些特别的东西。它们和你一起存在,就像花,像你一样。

《Dear My》

There's nothing special from the beginning.Ordinary things come together to create something special.They exist with you.Like flowers, like you.

AHN JINHEE 安金熙

《花卉重量》

花很重。它是在你的心里保持休息,在你的头脑中保持痛苦。不要因为美丽而试图成为权力的象征。贪婪是重量,重量是贪婪。

《Different Sight》

Flowers are heavy.It is rest to hold in your heart, and pain to hold inyour head. Don't try to be a symbol of power bybeing beautiful.

HEO SOYE 贺思业

《广阔世界中的尘世人类》

面对大自然,人类就像大海中的一粒小米。既然世界是大的,人是小的,我想告诉你,每一个焦虑都是微不足道的,我们只是活着。

《Dustlike human in the wide world》

Human is just like a grain of millet in a very big ocean when facingMother Nature. Since the world is big while human is small, I wantto show you every anxiety is trivial and we just live.

中部大学

韩国中部大学,建立于1984年,不断构筑基础,成为

了第一期建学中的佼佼者,并将继续发展成为全球化的名门大学。中部大学校为应对信息化、全球化时代,正在改善和扩充各项教育设施,通过教育高品质、教育科学化谋求教育的先进化。

Joongbu University

Joongbu University, established in 1984, has continuously built the foundation and become the leader in the first phase of construction, and will continue to develop into a global famous university. In order to cope with the era of information and globalization, the Central University is improving and expanding various educational facilities, seeking the pre evolution of education through high-quality and scientific education.

Lee Da Bin李多彬

《野火悖论》

2019年4月,一个微小的火焰在韩国江原道的Goseong gun开始,蔓延到整个Sokcho,导致巨大的火焰野火。这个作品讲述了江原道野火的故事。

即使森林大火被扑灭,一夜之间失去家园的受害者的艰苦生活仍在继续。随着残片的记录,这种悲伤和恐怖不应该被忘记,必须被时刻提醒。在2020年5月,一年之内,又发生了一场大规模的野火。没有人知道这场艰苦的斗争何时结束。

从那只狗背上长出的新肉,它一半的体毛在烈焰中燃烧,眼睛里露出愤怒的表情,还有在茂密的森林变成灰烬的地方重新种植的那些种子,我们可以看到希望和勇气。否则,我们可能永远放弃。

《Wildfires Paradox》

In April 2019,a tiny flame started in Goseong-gun,Gangwon-do,South Korea,spread throughout Sokcho,leading to huge wildfires.This work tells the storyof the Gangwon-do Wildfires.

The hard lives of the victims who lost their home overnight continued evenafter the forest fires were extinguished.With the record of the debris left,thissorrow and horror should not be forgotten and must be reminded over time.In May 2020,in a year,a massive wildfire occurred again.No one knows whenthis arduous fight will end.

From the new flesh sprouted on the back of the dog which had half of itsbody hair burned in a fierce flame with a fury look in its eyes, and theseedlings replanted next to the ashes into which the dense forest turned, wecan see hope and courage. Otherwise, we might give up forever.

Kim Ari 金阿里

《我的女超人》

我母亲是一名妇女工厂经理。

事实上,工厂很难期待明天。只是日复一日地坚持下去,难怪这家工厂明天就要完蛋了。她不能放弃这份工作,因为她已经工作了很长时间了。她想让这个生意继续下去。她负责工厂里的所有工作,包括咨询服务、切割钢筋和为我们做饭。所以我经常觉得她是个超人。

她实际上经营一家小花店。当我和她在一起的时候,我有超过一半的故事。我妈妈喜欢花。然而,爸爸想让她从事传统钢铁行业,在梦想和家庭经过长时间的考虑后,她放弃了自己的梦想。或是在小店里插花。她今天在工作,感觉到的不是温暖和芳香的花香,而是钢筋的寒冷和难闻的气味。但她还是以看花结束了一天。

当我给她拍照时,我常常鼻子酸酸流泪,很难看清取景器,但在取景器之外有一位坚强的母亲。她是坚强的田野人中最勇敢的厂长,是一个比任何人都更关心我们安全的母亲,是一个懂得在艰辛和疲惫中寻找幸福的人。我想我的女超人可能以不同的形式存在于其他家庭。这可能是你的故事。

《My Superwoman》

My mother is a factory manager for women.

In fact, the factory is hard to expect tomorrow. Just hanging on from day to day, and it's no wonder that this factory doomed tomorrow. She can't give up this job because she has been working for a long time. She wants to keep this business alive. She is in charge of all the tasks in the factory, including counseling services, cutting rebar, and cooking for us. So I often feel she is a SUPERWOMAN.

She actually ran a small flower shop. When I'm with her, I have more than half a flower story. Yes, My mom loves flowers. However, my dad asked her to help him with the steel work and she gave up her dream after a long time of consideration between her dream and family. It was a small (or big) dream of looking at flowers or arranging flowers at small flower shop. She is working today, feeling the coldness and murky smell of rebars instead of the warmth and fragrant smell of flowers. But she still ends the day by looking at the flowers.

When I took a picture of her, I often had a sour nose and burst into tears, making it difficult to see the viewfinder, but beyond the viewfinder there was a strong mother. She is the bravest factory manager among the strong field people, a mother who thinks of our safety more than anyone else, and a wonderful person who knows how to find happiness in the midst of hardship and exhaustion. And I thought maybe my superwoman might exist in other families in different forms. This may be your story.

BackDayeon 布莱克戴森

《贴花》

尽管人们说我们生活在一个充满仇恨的社会里,但仇恨却无处不在。我们的仇恨还有意义吗。

《Decalcomanie》

Although people say that we live in a society full of hatred, hatred is everywhere. In the end, we need to know that who we hate is different from who we hate.

In Mi Oh尹秘奥

《(一个人)到不现实的背景(建筑物)》

它可以被看作是一个普通的静物或建筑照片,因为它的描绘方式,在拍摄的时候,拍摄了建筑物的平面。然而,它通过在不现实的背景(建筑物)中添加一个现实的主题(一个人)来展示每个人的不同生活。

《(a person) to unrealistic background(a building)》

It can be seen as an ordinary still life or a building photo due to the way of its depiction, which shot the building flatways at the time of the shooting. However, it shows different lives of each person by adding a realistic subject(a person) to unrealistic background(a building).

KimTeaGyu 金桂泰

《观点》

人们生活在不同的角度。当你看一个物体时,它有各种各样的特性取决于你看它的角度观点。物体可以由某种东西变异,并以各种形式呈现。在某些情况下,信息被夸大或歪曲。通过迅速传播的互联网。如果你用精确的透视,你可以看到这个社会中的现实,你也会困惑和有各种各样的观点。

《Point of view》

People live with various perspectives. When you look at an object, it has various

features depending on its point of view. The object can be mutated by something and ispresented in various forms. In some cases , information is exaggerated or distorted through the rapidly changing Internet. If you look at the object with an accurate perspective, you can see the reality in this society where you are confused and havevarious points of view.

Hyun Hye Yeon 海英妍

《沉默的记忆》

照片记录了生命的碎片,生命的框架造就了生命。

照片就是生命。

《Memory of Silence》

Photographs remember the pieces of life,

Fragments of life build life.

Photographs are life.

Hyun Joo Huh 海尹侯

《纪念女孩》

这些是2015年为纪念她们而创建的“记忆女孩森林”花园。

《Remembering the Girls》

Thesepictures are a record of the garden < Forest of Remembering theGirls> created to remember them in 2015.

“异域·同天”中日韩高校摄影邀请展

日本参展院校:

大阪艺术大学、东京造形大学、日本九州产业大学、和光大学、冲绳县立艺术大学

韩国参展院校:

中央大学、大邱艺术大学、大邱启明大学、韩国广播艺术大学、弘益大学、顺天大学、中部大学

中国参展院校:

北京印刷学院、湖北美术学院、黄河科技学院、鲁迅美术学院、南京艺术学院、清华大学美术学院、山东工艺美术学院、上海工程技术大学、上海美术学院、上海师范大学、上海视觉艺术学院、四川美术学院、天津美术学院、西安理工大学、西安美术学院、西安欧亚学院、浙江传媒学院、中国美术学院、中央美术学院

主办单位:中国

济南国际摄影双年展组委会

指导单位:

中国摄影家协会教育委员会

媒体支持:《中国摄影》杂志社

艺术总监:

曾毅

总策展:

张辉、吉川直哉(日本)、柳银珪(韩国)

学术主持:

姚璐

联合策展人:

敖国兴、邓岩、戴菲、董钧、胡晓阳、矫健、林简娇、李楠、李小舟、刘阳、史民峰、沈洁、王帅、杨赫、姚璐、贾方、张朴、张省会

艺术委员会

鲍昆、百濑俊哉(日本)、中里和人(日本)

、曹珽、顾铮、李树峰、林路、宿志刚、王川、谢爱军、张成义

执行委员会

执行策展人:

王怡卜

展览监理:

罗斌

微信推广:

张心睿、杨玉叶、孔庆鹏、胡敏瑞

海报设计:

慕琼

展览时间:

2020年12月22日至2021年01月22日

展览地点:

山东工艺美术学院美术馆

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